Alun
Williams

14.04.2023

Critical
texts

Texte critique

Alun Williams by Patrice Joly

Zérodeux / 02, 2020
It is hard to grasp a painting that does not let you grasp it using the usual approaches, which are the relation to modernism and postmodernism, going beyond figuration, and the return of the latter, that is being endlessly postponed, announced, vilified, and foiled. As a rule, to broach a pictorial work, one attempts to make ever more subtle classifications, which try to pin the painter down within one category or another, rather in the way that people have always tried to …
Texte critique

Lest we Forget

by David Humphrey, 2019
Text by David Humphrey on the occasion of the exhibition, Lux Fecit de Alun Williams at the Villa Tamaris Centre d’Art, La Seyne-sur-Mer, Toulon Métropole, 2019-20 Lest we Forget What is it to have a life? It’s overwhelming to imagine the pile-up of lives that have preceded ours, some documented, even celebrated, but mostly not. Alun Williams seems to say “pick one, and let it intersect with yours for a moment”. It could turn out that unexpected epiphanies will result from …
Texte critique

The Curious Case of Alun Williams’ History Paintings, or How to Make the Invisible Visible Again

By Christian Viveros-Fauné, 2017
Text by Christian Viveros-Fauné on the occasion of the exhibition, Pour Le Plaisir Des Sélénites, Galerie Anne Barrault, Paris, 2017The Curious Case of Alun Williams’ History Paintings, or How to Make the Invisible Visible AgainIt’s not every day that you hear about a painter trying to turn the medium of painting on its head. But such is the curious case of Alun Williams, a British painter who spends considerable time orchestrating chance encounters with art history on the …
Texte critique

Text by Cheyney Thompson

Published as the preface of LEST, monograph on the work of Alun Williams, published by Manuella Editions, Paris, 2011
Trenching the Haggis As if the faint murmur of a voice issued forth from this stain, these words having pressed themselves moist and hot on the page, bleeding out and coagulating. Not yet text, as there are no readers that are able to decipher the outstretched fingers of these pools of ink. Not yet a shape, as neither typographer nor cartographer has mapped the still expanding boundaries of the infinite shoreline of this undulating contour. A morphology seems to appear, a …
Entretient

Alun Williams interviewed by Eric Mangion

Published in a special edition of TRACE on the occasion of the inauguration of the new Moulin, Espace d’Art at La Valette du Var, with a solo exhibition of works by Alun Williams.
TRACE is the publication recording contemporary art exhibitions presented at the Moulin.
Eric Mangion: The main focus of your exhibition at the new art centre, Le Moulin, is Joseph Gaultier, a historical character who came to La Valette at the very beginning of the seventeenth century. Why are you so interested in this character?Alun Williams: For me, Joseph Gaultier is a genuine star, a character full of colour and life, with a true spirit of curiosity towards everything, an enthusiastic innovator in the depths of the countryside- because it has to be said that …
Texte critique

La Valette du Var, Alun Williams

Review by Éric Mangion in Artpress Nº 340, pp. 90-91, 2007
For those of us who were regular visitors to La Valette-du-Var, the Moulin had become an important venue for creation.Underwritten by the municipality and by the energy of its founder, Isabelle Bourgeois, this rather modest space offered exhibitions intended to bring together the preoccupations of contemporary artists with a focus on local heritage, be it social, architectural or historical.The challenge was a risky one, but the rigor of programming always made it possible …

Conference at EESAB, Quimper, France

recorded in january 2022 in Quimper. Invitation by Marie Adjedj.

LEST

Conference recorded on 15 January 2013 in the Auditorium of the MAMAC in Nice. Production and reproduction rights: Cercle Castellion. Recording and direction: Nicolas WEBER.

Artist Talk

Alun Williams Artist Talk at Vermont Studio Center, Johnson, 2014
Alun Williams gives an artist talk in the dining hall of The Vermont Studio Center on March 10, 2014.

Community activities

For over thirty years, Alun Williams has invested much time and energy in setting up and running non-profit organizations, especially those that offer artists the time, space and conditions needed for them to pursue their research.
Thus, in 1992, he was the founder, with Isabelle Viallat, of La Vigie in Nîmes, and in 1993 he became a member of the Board of Directors of the Triangle Arts Association in New York of which he is currently co-Chair. In 1995 he was co-founder of Triangle France in Marseille and worked at the Friche Belle de Mai. From 1998 he has shared his time between France and New York, where he was founder of Parker’s Box (2000 to 2013), an experimental gallery in the artist-run-space section of Brooklyn. In 2012 he worked on launching Minoterie21, an association in Morbihan, Brittany. This initiative organizes different contemporary art projects, as well as a modest program of artists’ residencies following different formulae. Alun Williams is a member of the Board of the Art Contemporain en Bretagne network, as well as that of the Triangle Canada association in Montreal, Quebec.

MINOTERIE21

Minoterie21 was created in 2010 at the Moulin de Guéveneux in the Morbihan département, with the mission to host and support contemporary art projects promoting visual artists’ research in a rural area. Since its creation, four artists’ shelters or “functioning sculptures” that are constantly evolving, constitute a focal point on the association’s site. These structures are the work of John Bjerklie (États-Unis), Roland Cognet (France), Ye-eun Min (South Korea), et Patrice Lesteven (France).
Minoterie21 prioritizes its support of research, experimentation and artistic production, while partnering with the municipality of Peillac in order to promote awareness of contemporary across a wider territory. The association is a member of the “Art contemporain en Bretagne” network, and proposes different projects hosting from time to time artists’ residencies and exhibitions as well as artists’ residencies, exhibitions, performances, projections, laboratories ans workshops.

www.minoterie21.tumblr.com
Soon to be active: www.minoterie21.org

Artist shelters, clockwise from top left:
Roland Cognet, Imaginary Landscape; Ye-eun Min, Furniture House; Patrice Lesteven, Nautilus ; John Bjerklie, Slow Train
Photos : Minoterie21

PARKER’S BOX

In 2000, Alun Williams created Parker’s Box, an experimental artist-run space in what at the time was the cultural neighborhood of Williamsburg in Brooklyn, New York. The project was set up in association with Claire Lesteven and Chus Martinez under the patronage of Tim and Nancy Grumbacher. Subsequently Allyson Spellacy followed by Hélianthe Bourdeaux-Maurin were involved in directing the project. The gallery produced one hundred exhibitions between 2000 and 2013, and participated in numerous international art fairs, as well as coordinating other projects and events such as the Paris-Brooklyn exchange in 2002 and the Montreal-Brooklyn exchange in 2013 (see separate entries). Parker’s Box championed the research of American and international artists whose practices were innovatory and inhabited by curiosity towards the mechanisms of the contemporary world and those that could operate within a work of art.

Vue de « IAM5 » la célébratiView of the « IAM5 » celebration of the fifth anniversary of Parker’s Box, with a “reverse” international art fair project in which the artists represented their galleries rather than the opposite.Photo : Alun Williams

MONTREAL-BROOKLYN EXCHANGE

This exchange initiative involving sixteen contemporary art spaces in Montreal and Brooklyn, was above all an encounter between two North American cities with special importance for current art. Through a series of crossover exhibitions, light was thrown on artistic differences and similarities.
The organizers / coordinators were Yann Pocreau and Claudine Khelil from the Centre CLARK in Montreal with Alun Williams director of Parker’s Box in Brooklyn.

The partnerships were as follows:

  • Centre CLARK (Montréal) - Parker’s Box (Brooklyn)
  • articule (Montréal) - Front Room (Brooklyn)
  • Galerie de l’UQAM (Montréal) - Interstate Projects (Brooklyn)
  • Musée d’art contemporain (Montréal) - Smack Mellon (Brooklyn)
  • Optica (Montréal) - Momenta Art (Brooklyn)
  • Galerie Les Territoires (Montréal) - A.I.R. Gallery (Brooklyn)
  • Galerie [sas] (Montréal) - Causey Contemporary (Brooklyn)
  • Galerie Division (Montréal) - Pierogi (Brooklyn)
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PARIS-BROOKLYN

An exchange initiative involving nineteen contemporary art venues between the galleries of the Marais in Paris and those of Williamsburg in Brooklyn, New York, bringing together artist-run spaces, commercial galleries, associations, a foundation and a museum.

The organizers / coordinators were Christine Ollier, director of the Filles du Calvaire gallery in Paris, and Alun Williams, director of Parker’s Box in Brooklyn.

The partnerships were as follows:

  • Galerie Anne Barrault (Paris) - Schroeder-Romero (Brooklyn)
  • Galerie Les Filles du Calvaire (Paris) - Roebling Hall (Brooklyn)
  • Galerie Bernard Jordan (paris) - Pierogi (Brooklyn)
  • Galerie Michel Rein (Paris) - Parker’s Box (Brooklyn)
  • Galerie Chez Valentin (Paris) - Momenta Art @ Four Walls (Brooklyn)
  • Galerie Anton Weller (Paris) - Southfirst: Art (Brooklyn)
  • Galerie Eric Dupont (Paris) - Plus Ultra (Brooklyn)
  • Espace Paul Ricard (Paris) - Smack Mellon (Brooklyn)
  • Espace Huit Novembre (Paris) - Star 67
  • Brooklyn Museum of Art
Cover of the invitation / flyer for the event

TRIANGLE-ASTERIDES

Triangle-Astérides is a “contemporary art center of national interest” – the result of the merging in 2018 of two non-profit associations, Astérides and Triangle-France. The two associations were both resident members of the Friche Belle de Mai cultural cooperative located in a former government tobacco factory in Marseille, and which today remains the home of the current association. Under the leadership of Alun Williams, accompanied by Claire Lesteven and with help from local collaborators including Bernard Plasse, director of the Galerie du Tableau, and Marie-Pierre Bouly, Triangle-France was officially constituted in November 1994. In parallel, the Astérides association was established in 1992 by artists, Gilles Barbier, Claire Maugeais, Jean-Christophe Nourisson and Sandrine Raquin.
Triangle-Astérides is a member of the international Triangle Network, and through this is linked to the Triangle Arts Association in New York (see separate entry).
Triangle-Astérides develops a rigorous program of exhibitions and research and experimentation residencies for artists from the French and international art scenes, along with a program for local artists and professionals in conjunction with the Artists’ Studios of the City of Marseille, as well as the organization of events and publishing projects.
In the summer of 2021, Triangle-Astérides was granted the status of Contemporary art center of national interest. In his capacity as President of Honor, Alun Williams was present in Marseille for the official declaration by the Minister of Culture, Roselyne Bachelot.

Triangle France

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TRIANGLE ARTISTS’ WORKSHOP, NEW YORK

Alun Williams was invited to join the Board of Directors of the Triangle Arts Association in 1993, following his participation in the Triangle Artists’ Workshop of the same year. Today he remains one of two co-chairs of the Board with artist, Jennifer Riley.
In 1982, the British artist, Anthony Caro and the collector, Robert Loder create the Triangle Arts Trust (identified today as the Triangle Network). In the summer of that year, they organized an artists’ workshop in upstate New York, bringing together 25 emerging artists from the United States, Canada and the United Kingdom. The goal of this workshop was to create a space for dialogue and the exchange of ideas between artists. Following the success of this inaugural edition, the geographical reach of the event spread, and subsequent workshops included the participation of artists from further and further afield. On their own initiative, a number of artists who participated in a New York workshop, reproduce the same formula in their countries of origin. As a result, the Triangle Network today includes numerous non-profit structures in forty countries across the world and in every continent. In 1994, when the Triangle Arts Trust lost the use of its original workshop venue, the British artist, Alun Williams, a Triangle Board member in New York, looked into the possibility of organizing a Triangle workshop in Marseille, hosted by the Art School there, where he taught at that time. Following this event, held in the summer of 1995, the opportunity arose of creating a residency and exhibition program under the Triangle-France name and association, which had been created to administer the workshop (see separate entry).
The Triangle Arts Association in New York began its activities in the countryside of upstate New York in 1982. By 1998 it had moved to the 92nd floor of the World Trade Center in Manahattan, establishing the highest artists’ studios in New York City. In 2002, having lost this venue, the association was provided space in Dumbo, one of the most active cultural neighborhoods of Brooklyn. A new year-round artists’ residency program was subsequently launched here, partly based on the residency established in Marseille. Dumbo remains home to Triangle in New York to this day.

Triangle Arts association

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LA VIGIE – CONTEMPORARY ART

In 1992, Alun Williams is co-founder with Isabelle Simonou-Viallat of La Vigie – Contemporary Art, an artist-run space notably organizing exhibitions in a series of small former apartments throughout four floors of an old postal relay station in Nîmes. Isabelle Simonou-Viallat remained director of the structure until its closure in 2021. In 2012 Alun Williams curated a special exhibition in celebration of twenty years of activity. The exhibition presented the work of Sarah Tritz, Philippe Nuell, Ophir Agassi, Jason Glasser and Yann Gerstberger. Ophir Agassi also presented a performance piece for the opening night.

La vigie