Exhibition views, Alun Williams – Sur les Traces de Monsieur Paine, Galerie Anne Barrault, Paris, 2019.
Left to right: Thomas Paine meets Boney (1800), 2018, Oil and acrylic on canvas, 136 x 106 cm ; Thomas Paine (Political Philosophy 13), 2018, colored pencil on watercolor paper 30 x 24 cm ; Golden Thomas Paine statue at ICA Philadelphia, 2018, Oil and acrylic on canvas, 153 x 128,5 cm
Photo : Aurélien Mole

Exhibition views: Alun Williams : No Paine No Gain, Handel Street Projects, Londres, 2018
Left to right: Thomas Paine on His Estate in New Rochelle, Oil and acrylic on canvas, 2018, 70 x 110cm ; Thomas Paine (Political Philosophy 1), 2018, ink and colored pencil on watercolor paper, 30 x 24cm ; Thomas Paine (Political Philosophy 4), 2018, colored pencil on watercolor paper, 40 x 30cm ; Thomas Paine (Political Philosophy 3), 2018, colored pencil on watercolor paper, 33 x 22cm ; Model of Thomas Paine Statue for New York, 2018, acrylic resin, metal, gold paint, glass, wood, 27 x 14 x 14cm ; Model of Thomas Paine Statue, 2018, acrylic resin, metal, gold paint, glass, wood, 27 x 14 x 14cm ; Model of Thomas Paine Statue for London, acrylic resin, metal, gold paint, glass, wood, 2018, 27 x 14 x 14cm

Exhibition views: Alun Williams : Pour le Plaisir des Sélénites, Galerie Anne Barrault, Paris, 2017
Left to right: Hester Leisler (Statue 1), 2017, Oil and acrylic on canvas, 161,5 x 129 cm ; Statue de John Adams, 2017 ; Oil and acrylic on canvas; 41 x 33 cm ; Statue de Marguerita Luti, 2017, Oil and acrylic on canvas; 41 x 33 cm ; Statue de Jules Verne, 2017, Oil and acrylic on canvas, 41 x 33 cm ; Statue d’Edgar Poe, 2017, Oil and acrylic on canvas, 40 x 30 cm ; Statue de Julie Bêcheur, 2017, Oil and acrylic on canvas, 41 x 33 cm
Photo : Alberto Ricci

Exhibition views: Alun Williams : Pour le Plaisir des Sélénites, Galerie Anne Barrault, Paris, 2017
Left to right: Les Mères de Montréal : Les Arrivantes de 1647, 2017, Acrylic on canvas, 71 x 56 cm ; Les Mères de Montréal : Les Arrivantes de 1653, 2017, Oil and acrylic on canvas, 99 x 135 cm
Photo : Alberto Ricci

Exhibition views, Alun Williams - Je n’oublie jamais un visage, mais pour vous je ferai une exception, Galerie Raymond Hains, École des Beaux-Arts, Saint-Brieuc, 2017

Left to right: Julie Bêcheur at Versailles (à Versailles), 2006, Oil and acrylic on canvas, 90 x 70 cm ; Julie Bêcheur III, (d’après Magritte), 2006, acrylic and watercolor on newsprint, 61 x 46 cm ; Julie Bêcheur (Annoncée), 2006-7, Oil and acrylic on canvas, 90 x 70 cm ; six dessins 61 x 46 cm each.
Top row, left to right: Jules Verne XIX, acrylic and gouache on newsprint, 2005 ; Jules Verne XXIII, acrylic on newsprint, 2005 ; Jules Verne IV (Volant), Oil and acrylic on newsprint, 2005
Bottom row, left to right: Jules Verne III, acrylic on newsprint, 2005 ; Jules Verne XVI, ink and gouache on newsprint, 2005 ; Jules Verne VI, pencil on newsprint, 2005 ;
Back wall : Attribué à Adolphe Dervaux, Portrait de l’amiral Charner (posthume), oil on canvas, 1870, borrowed from the collection of the Museum of Art and History of Saint Brieuc ; Top: L’Amiral Charner devant son château à Pléneuf Val André, acrylic on canvas, 2017 ; Below: L’Amiral Charner visite la Caserne Charner, acrylic on canvas, 2017

Photo : Hervé Beurel