Exhibition ArkParkCraftRaftClinicClubPub, MoBY - Museums of Bat Yam, Tel Aviv, 2015

Le parcours dans l’exposition ArkParkCraftRaftClinicClubPub articulait des nouvelles productions et des œuvres réactivées. Une sélection de ces dernières sont présentées dans cette page.

Green Diffusion, 2005-2015 green clothes, pine essence, green paint, mirror, green carpet, green neon lights This work was created for the exhibition at Dojo, Nice, en 2005

Photos: Gal Deren

Progress plaza / Pussy palace, 2012-2015
Wood, doors, neon lights, cat food, plastic plates, newspapers.
This work was created for the exhibition Something for Everybody.

A space appears as boarded-up. It might be a failed business as much as it can be the next hot thing underway. Upon closer observation, through cracks in the façade, the viewer perceives other facades behind the first. A little cat door to the lower left confounds this initial perception: the daring viewer beholds a very exclusive restaurant. A pussy palace.
To watch this you have to get down on all fours, like a quadruped. On the other side, cat food dishes can become the site of nocturnal neighborhood compulsion, satellites or spacecraft, the vision of a low- budget cosmos or the decor of a nightclub

Photos: Gal Deren

Vision Center, 2012-2015
Chairs and various salvaged rectangular objects suggesting screens
This work was created for the exhibition Something for Everybody.
photos : Alain Domagala

A row of chairs facing blind screens, entrance mats and packing boxes, depicting a tension between objects without qualities and projection surfaces, screen images.
It is when a monitor is turned off that it regains its object condition: a black square box that emits memory residues.
It can then function as the monochrome in art history, a painting object that contains everything.
In the same movement, these screens materialize our relationship to reality and therefore to art: how does one get excited by cubes and parallelepipeds, by the organization of colors†and materials?
The objects are necessarily fueled by the discourse that replays each time the scenario of a chair, a trampled object.

Photos: Gal Deren