a glass belly, 2022, glass, 15 x 26 cm
le monstre derrière soi [the monster behind us], 2022, glass, 60 x 95 cm
Elle rentre la tête dans sa cage (H.G) [She puts her head in her cage (H.G)], 2022, glass, 46 x 53 cm

mù, jīn, huo, shui, tu, air, 2022, performance view, aluminum, approx. 5 x 15 cm

sensitive surface : thermotactile, 2022, steel, black heat-sensitive paint, 200 cm x 80 cm.

exercice d’imagination, 2022, aluminium, approx. 16 x 10 cm/each.

sensitive surface: soap, 2022, steel, soap, coffee, 80 cm x 200 cm, performance view.
une main mal assurée [an insecured hand], 2022, glass, 18 cm x 10 cm/each.

no place to come, 2022, installation view, cotton, foam, wire, stainless steel, 40 cm x 120 cm ;
a slow danceblack, 2022, cling film, paint, 150 cm x 100 cm ;
a spacepink, 2022, cling film, paint, 150 cm x 100 cm ;
une main mal assurée, 2022, glass, 18 cm x 10 cm/chaque ;
sensitive surface: soap, 2022, steel, soap, coffee, 80 cm x 200 cm ;
becoming a hut, 2022, metal, fabrics, 90 cm x 120 cm ;
the little lost planets, 2022, parafin, organic and found elements (flowers, hair, cigarette, cigarette butt, chain, pearls...), diameter 6 cm

Une main mal assurée [an insecured hand], 2022, glass, 18 cm x 10 cm/each.

sensitive surface: parrafine, 2022, installation view, steel, parafin, 80 cm x 200 cm ;
a sticky skin-silver, 2022, cling film, paint, 150 cm x 100 cm ;
no place to come, 2022, cotton, foam, wire, stainless steel, 40 cm x 20 cm ;
open home, 2022, wood, 250 cm 100 cm ;
four hours (M), 2022, cotton, 265 cm ;
plaisir paisible, 2022, glass, 25 cm ;
contre ta langue, 2022, glass, 13 cm x 41 cm ;
passer dans sa tête, 2022, aluminium, dried and pressed flowers, 30 cm diameter/each

le monstre derrière soi [the monster behind us], 2022, glass, 60 x 95 cm.

Sound composition by Delawhere, presented in the exhibition